Film-a-day: Week 4: 6-12 Feb 2011

More Film-a-day from the past month, kicking off with a double header from the Glasgow Film Festival.

Boy (2010) ****/

This is actually my second time seeing this New Zealand based gem from Taika Waititi, and it was just as good as the first time. I absolutely love all the character and the way they interact with each other, especially in regard to Waititi as Alamein, the Boy in question's father. The relationship between the two is interesting to say the least and gives the film some of it's finest moments, although either of them could hold the film in their own right, which is a great compliment to James Rolleston who played Boy. Not only was this his first acting experience, but he was only picked from a cast of extras when it turned out that their first choice had grown up too much since the casting. He has a wonderful comic timing and is downright perfectly cast, and does an incredible job of playing the lead at such a young age. Boy is an insightful, lovely, funny, sweet, surprising and touching film that should be seen by all. So go see it, egg!

Paul (2011) ****/

My lovely fiancée and I caught this at the festival too, and found it to be a hilariously entertaining film, which adequately filled up my geek quota for the week, as I thought it might. It's puts Simon Pegg and Nick Frost back together again, this time with director Greg Mottola instead of their usual cohort Edgar Wright, and sets them off on a road trip through points of extraterrestrial importance. The relationship between the two is, yet again, wonderful and helps carry the film when it hits the tiniest of dry spells. Don't worry though, they don't last long, and even the highly annoying Kristen Wiig is brilliant here, so something must be going right. The whole film is an utter triumph that solidifies the bond between the two actors as a vital double act that should work together in every second film. Even though separately one is definitely stronger than the other, together they are unbeatable, and this film proves that even without the incredible Wright directing they are still a force to be reckoned with.

After the cut: Mean Girls, Cop Out, Fanboys, The Informant! and Knowing.